In This Section: Our Approach | Best Video Practices | Technical Recommendations | Lower Thirds | Animated Video Bumpers | The Best Videos... | Shooting on a Mobile Device
There is no doubt, video is a dominant communications medium in our culture. The prominence and accessibility of video have made it easier for consumers to engage in an organization’s content, offerings and call to action. In addition, Make-A-Wish utilizes video because we believe it has the ability to shift perspective.
From the beginning, with Chris Greicius’ wish, to Batkid's worldwide wish experience, we have been an organization of storytelling. Video provides us an opportunity to tell stories – from multiple perspectives – in an efficient, engaging and emotive way. In fact, videos allow us to show the Wish Journey in a way that includes the complexity of a family’s struggle with illness and the transformation that emerges from it.
We encourage the continued engagement of professional videographers to help capture the entire Wish Journey. However, we know that the Make-A-Wish team often is placed in the role of director, producer or even videographer. The following are recommendations that help us tell the best stories we can, regardless of who films them.
We recommend engaging a professional video team whenever possible. Discuss an appropriate plan of action with the team before any shoot occurs. Establish appropriate roles and communicate expectations of the crew.
Most video shoots are more grueling and longer than one would expect. All crew members, whether Make-A-Wish staff or otherwise, must put the child and their family first during any production. This means that we help create a comfortable environment, address any concerns in a friendly manner and always ask permission for engaging in any sensitive or personal matters.
When engaging in an interview with a child, friend or family member, keep the environment to a minimal amount of people in order to minimize distractions or possible intimidation.
When conducting an interview, ask questions that welcome descriptive narrative responses. For example, leading with a question like “Can you describe the moment (be specific and detailed) that you met Selena Gomez?” will paint a picture for the audience that will welcome a shared experience. Commentary driven questions such as “What did you think of the experience?” often result in flat, short responses that will ultimately be forgettable.
It is important that our videos reflect the Make-A-Wish brand commitment to honor the child, which includes portraying our subjects in a beautiful manner while maintaining high-quality standards of production. Ensure our subjects are in focus, utilizing a shallow depth of field when appropriate. Be conscious of poorly lit subjects or scenes and compensate with professional lighting as needed.
When supporting a narrative-driven video, capture plenty of good b-roll (extra footage to help enhance the story). If you have the luxury of capturing b-roll after an interview or a narrative is established, seek out b-roll that can support this. Some b-roll should cover people other than the child as the hero.
Audio is as important as the visual capture in any video production. Avoid environments with sporadic background noises and utilize audio equipment that records high-quality audio.
Record in 1920 × 1080p whenever possible
2160p (4K) resolutions are also acceptable
Record in 23.98p whenever possible
Frame rates of 29.97p and 30p are also acceptable (when necessary)
Stereo 320 kbps
MPEG-4 (.mp4)
Codec
H.264
Progressive scan (no interlacing)
High Profile
2 consecutive B frames
Closed GOP. GOP of half the frame rate
CABAC
Variable bitrate
Chroma subsampling: 4:2:0
Content should be encoded in the same frame rate it was recorded
Maximum 1920 × 1080
Minimum 720 × 1280
1080p 10 Mbps – 15 Mbps
720p 6.5 Mbps – 9.5 Mbps
16:9
Lower thirds, the descriptor for the subject in a video, can be displayed on either the left or right side of the subject, but must appear 200px from the side and 720px from the top of the frame. They should not interfere with the subject, but should be sized to each name (side margin opposite the base along the edge of the frame should be equal to the top and bottom margins of the text inside the blue bar).
All lower thirds for children should have the name set in 70pt Droid Serif Bold type. Descriptor lines should be set in 54pt Lato Bold type with 76pt leading, and should include the child's age and illness. For others, the descriptor should only be the person's title and/or relationship to the child. Additionally, text should always be left aligned.
Subtitle guidance: use Arial font in white or black. Ensure lower thirds are not covered by subtitles.
To bookend a Make-A-Wish video, intro and end “bumpers” should be used to create a consistent series. Intro bumpers should have the full-color logo animate over a white background – the text should fade in from left to right, then the swirl should appear from the bottom to the top, ending with the star dotting the “i.”
End bumpers should feature the logo above a blue call to action statement.
Call to action: Lato Regular, 60pt/72pt.
Website: Lato Black, 80pt/96pt.
Tell the story of the Wish Journey from different perspectives.
Spark imagination and convey strength.
Capture the positive emotions of a wish experience.
Capture a wish participant immersed in the action of a wish and/or the impact of the experience.
Take into consideration the environment (i.e. uncluttered).
Capture the subject in crisp focus (utilizing a shallow depth of field when appropriate).
Are properly lit and well framed.
Are concise and engaging throughout – avoiding long, uncut commentary.
Utilize music in a way that establishes the appropriate mood and offers balance.
Avoid copyright infringement by obtaining a license or other grant of permission from the rights holder before utilizing music in a video.
Follow brand standards when utilizing any graphics or animation.
Are captured by a professional or experienced videographer.
Follow the appropriate technical recommendations (as stated above).
Are accompanied by requisite publicity releases.
The following are best practices for when a professional photographer/videographer are not available and/or additional phone imagery is captured.
Due to the (light) weight of a phone, it is easy to shoot video or photos with significant shake. We recommend stabilizing the phone by supporting it with a solid surface or tripod, or by using two hands.
Utilize available daylight whenever possible and supplement additional lighting sources as needed. Please note that shooting video on a phone typically requires more light than when capturing a still image. This tends to become more obvious when shooting inside or at dusk. We recommend simply being aware of this when engaging with mobile video.
Zooming in on a photo or video will compromise the quality of the image and/or produce a grainy picture. We recommend leaving the phone in its native state while shooting.
The native lens a phone utilizes is typically considered wider than what may be available with professional cameras or lenses. Because of this (and our recommendation NOT to utilize the zoom feature), there will be a need for the photographer/videographer to move closer to the subject in order to maximize the composition and increase detail. We recommend moving as close to the subject as appropriate and as needed without distraction.
Although we often utilize our phones in the vertical format, it is important to capture video footage in the horizontal format (16:9) as this will be the format in which the videos will be experienced. Photos can be captured in vertical format when the subject or scene calls for it, but this will most likely be in a limited state.